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Salbruch
Tulpen
Farne Cyanotypie

On this page I show a small selection of my work. You can find more on Instagram, just click the corresponding icon at the bottom of this website.

 

There are no fixed opening times in the studio. If the sign in the door says "open", you are cordially invited to come in, otherwise I kindly ask you to make an appointment.

Aktuelles

News from the studio

Musik: Lennart Delissen 

Werke
Elster

Elster

Tusche auf Bütten 30 x 40 cm

Morgens am See

Morgens am See

Ölfarbe auf Holz 40 x 50cm

Sperber

Sperber

Tusche auf Bütten 30 x 40cm

Der Schuppenkönig

Der Schuppenkönig

Aquarell auf Bütten 30 x 40cm

Alfons

Alfons

Eitempera auf Leinwand 70 x70 cm

Blauer Pott

Blauer Pott

Acryl auf Leinwand 60x80cm

Kapbuschsee

Kapbuschsee

Aquarell auf Bütten 30x40cm

Gewitter

Gewitter

Aquarell auf Bütten 30x40cm

St. Nikolaus Hardt

St. Nikolaus Hardt

Tusche auf Bütten 30x40cm auch als Kunstdruck erhältlich

Verwittert

Verwittert

Eitempera auf Leinwand 80 x 100 cm

Erntezeit in Hardt

Erntezeit in Hardt

Eitempera auf Leinwand 30x120 cm gerahmt

Über
Claudia Delissen

During my artistic evolution, I got to know several techniques. My passion belongs to the work with ink and egg tempera.

 

For my ink drawings I only use high-quality paper, preferably hand-moulded paper of high grammage.

Using more than 100 years old mouth-blown glass nib tips, allows me to draw extremely thin lines. The ink is highly uv-resistant, the colours are based on ancient models.

 

Mixing egg tempera from linseed oil, egg, water and a few drops of clove oil, choosing the right painting surface, covering the stretcher with the canvas - all this is part of the painting process. Feeling the material with my hands, the smell of wood and linseed oil fills the studio. Then priming the canvas with gesso until the white canvas is ready to be painted on.

Putting the first brushstroke on a new canvas is an incomparably good feeling. The painting will be created with highest-quality pigments and lots of good music. After the oil content in the egg tempera has oxidized,  the painting is ready to be varnished. Oxidation can take up to one year. The varnish is made from chunks of dammar resin dissolved in turpentine oil. Colours get more depth, the paintings get the typical shine of the old masters artworks.

 

The subject of my work is the Niederrhein.

In the words of Hanns Dieter Hüsch: “Everything I am is the Niederrhein. All of my feelings and thoughts, speaking and singing is the Niederrhein."

Kontakt

Contact

 

Vorster Straße 514

41169 Mönchengladbach

 

+49 177 592 9520

 

info@claudia-delissen.de

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